Low E string: F, G, Ab, Bb, C, Db, Eb at frets 1, 3, 4, 6, 8, 9, 11
A string: Bb, C, Db, Eb, F, G, Ab at frets 1, 3, 4, 6, 8, 10, 11
D string: Eb, F, G, Ab, Bb, C, Db at frets 1, 3, 5, 6, 8, 10, 11
G string: G, Ab, Bb, C, Db, Eb, F, G at frets 0, 1, 3, 5, 6, 8, 10, 12
B string: C, Db, Eb, F, G, Ab, Bb at frets 1, 2, 4, 6, 8, 9, 11
High E string: F, G, Ab, Bb, C, Db, Eb at frets 1, 3, 4, 6, 8, 9, 11
The major scale is the reference point of Western harmony: seven notes in the familiar whole and half step pattern, with a leading tone that pulls firmly back to the root. Chords, key signatures and all seven modes are measured against it. It resolves so naturally that it carries most pop, folk, classical and country writing, and learning it across the whole fretboard gives you the map every other scale on this site is drawn on.
it consists of these notes and degrees:
I
ii
iii
IV
V
vi
vii°
Same notes, different mode
Ab major uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A♭ major on guitar
One fret of capo converts Ab major into G shapes, which lets open-position playing survive in a four-flat key. Without the capo, the single open string available is G, sitting a major seventh from the root, so fretted work dominates everywhere. Roots for barres land at fret 4 for the E-shape and fret 11 for the A-shape. F minor holds the relative slot. Position work out of the root box ends at fret 8, so plan the first shift there.
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