Low E string: E#, F##, G#, A#, B, C#, D# at frets 1, 3, 4, 6, 7, 9, 11
A string: A#, B, C#, D#, E#, F##, G# at frets 1, 2, 4, 6, 8, 10, 11
D string: D#, E#, F##, G#, A#, B, C# at frets 1, 3, 5, 6, 8, 9, 11
G string: F##, G#, A#, B, C#, D#, E#, F## at frets 0, 1, 3, 4, 6, 8, 10, 12
B string: B, C#, D#, E#, F##, G#, A#, B at frets 0, 2, 4, 6, 8, 9, 11, 12
High E string: E#, F##, G#, A#, B, C#, D# at frets 1, 3, 4, 6, 7, 9, 11
The melodic minor scale is natural minor with the 6th and 7th raised, smoothing the climb to the root while keeping the minor 3rd. Classically it descends as natural minor, but jazz treats it as one scale in both directions and builds a whole system on its modes: lydian dominant, altered and locrian #2 among them. It is the sound of a minor chord with a major 7th on top.
it consists of these notes and degrees:
i
ii
bIII+
IV
V
vi°
vii°
Characteristic notes: F (natural 6) and G (natural 7), the raised sixth and seventh that smooth out the climb to the root.
Same notes, different mode
G# melodic minor uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
melodic minor in all 12 keys, with chords and related scales
How to play G♯ melodic minor on guitar
Clamp a capo at fret 1 and G shapes take over, which means the whole key borrows a friendlier set of fingerings. Lowest root is fret 4 on the low E, and the G string carries a root at fret 1, closest to the nut. Box one stops at fret 8. A#m fills the ii, so a second minor chord sits inside the key alongside the tonic.
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