Low E string: E#, F##, G#, A#, B, C#, D# at frets 1, 3, 4, 6, 7, 9, 11
A string: A#, B, C#, D#, E#, F##, G# at frets 1, 2, 4, 6, 8, 10, 11
D string: D#, E#, F##, G#, A#, B, C# at frets 1, 3, 5, 6, 8, 9, 11
G string: F##, G#, A#, B, C#, D#, E#, F## at frets 0, 1, 3, 4, 6, 8, 10, 12
B string: B, C#, D#, E#, F##, G#, A#, B at frets 0, 2, 4, 6, 8, 9, 11, 12
High E string: E#, F##, G#, A#, B, C#, D# at frets 1, 3, 4, 6, 7, 9, 11
The lydian augmented scale, the third mode of the melodic minor scale, raises both the 4th and 5th of a major scale. It outlines a maj7#5 chord with a #11, about the brightest and least grounded color mainstream jazz harmony uses. Reach for it when a major 7th chord should shimmer instead of rest.
it consists of these notes and degrees:
I+
II
III
#iv°
#v°
vi
vii
Characteristic notes: F (#4) and G (#5), the raised fourth and fifth floating over a melodic minor base.
Same notes, different mode
B lydian augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian augmented in all 12 keys, with chords and related scales
How to play B lydian augmented on guitar
Open B is the root here, and the open G string spells F##, the augmented fifth, so two open strings cover root and altered fifth together. Baug covers I+, so those two open notes are two thirds of the home triad. Fretted roots sit at 7 on both E strings, 2 on the A and 9 on the D. Six sharps, plus one double sharp. Position one ends at fret 11, so the 7th-fret box carries the low neck.
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