Low E string: F, G, Ab, Bb, C, D, Eb at frets 1, 3, 4, 6, 8, 10, 11
A string: Bb, C, D, Eb, F, G, Ab at frets 1, 3, 5, 6, 8, 10, 11
D string: D, Eb, F, G, Ab, Bb, C, D at frets 0, 1, 3, 5, 6, 8, 10, 12
G string: G, Ab, Bb, C, D, Eb, F, G at frets 0, 1, 3, 5, 7, 8, 10, 12
B string: C, D, Eb, F, G, Ab, Bb at frets 1, 3, 4, 6, 8, 9, 11
High E string: F, G, Ab, Bb, C, D, Eb at frets 1, 3, 4, 6, 8, 10, 11
The phrygian mode is minor with a flat 2nd, the third mode of the major scale. That half step above the root gives it a dark Spanish and Middle Eastern color: flamenco resolves onto it constantly, and metal riffs on the flat 2nd for menace. Try vamping between the root chord and the chord a half step up to hear its signature cadence.
it consists of these notes and degrees:
i
bII
bIII
iv
v°
bVI
bvii
Characteristic note: Ab (b2), the dark half step above the root that defines the phrygian sound.
Same notes, different mode
G phrygian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play G phrygian on guitar
Open G sounds the tonic and open D the fifth, which means a drone pair is already tuned into the instrument. Three flats in the signature. Low E reaches a root at fret 3, so the E-shape barre sits in first position. Roots also sit at fret 10 on the A string and at fret 8 on the B, and box one runs from fret 3 with the next shape taking over at fret 7.
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