STRINGSCALES

F six tone symmetric Scale — Guitar Fretboard Visualization

Low E string: F, Gb, A, Bb, C#, D at frets 1, 2, 5, 6, 9, 10

A string: A, Bb, C#, D, F, Gb, A at frets 0, 1, 4, 5, 8, 9, 12

D string: D, F, Gb, A, Bb, C#, D at frets 0, 3, 4, 7, 8, 11, 12

G string: A, Bb, C#, D, F, Gb at frets 2, 3, 6, 7, 10, 11

B string: C#, D, F, Gb, A, Bb at frets 2, 3, 6, 7, 10, 11

High E string: F, Gb, A, Bb, C#, D at frets 1, 2, 5, 6, 9, 10

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F six tone symmetric

The six tone symmetric scale alternates half step and minor 3rd: root, flat 2nd, major 3rd, 4th, sharp 5th, 6th. It is the same interlocking-augmented-triads idea as the augmented scale, started from the other side of the pattern. Its symmetry repeats every major 3rd, giving you instant sequences and a sound that sits between augmented and octatonic.

it consists of these notes and degrees:

F

I

G♭

bII

A

III

B♭

IV

C♯

#V

D

VI

Same notes, different mode

F six tone symmetric uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

Gb augmentedBb augmentedD augmented

six tone symmetric in all 12 keys, with chords and related scales

tip
  • Alternate half step and minor 3rd from F and the pattern closes at the octave; learn it as that two-interval cell, not as scattered notes.
  • It repeats every major 3rd: one fingering, transposed twice, covers all keys before recurring.
  • Arpeggiate the two augmented triads hiding inside it (root, III, #V-as-b6 and b2 (Gb), IV, VI) for instant symmetrical lines.
  • Slide the half-step pairs (root-b2, III-IV, #V-VI) as ornaments; between them the minor 3rd leaps keep lines angular.

How to play F six tone symmetric on guitar

Roots sit at fret 1 on both E strings, so box one opens at the first fret and hands over at fret 5. Only the open A and open D belong to the scale, sitting a major third and a major sixth up, which means a drone is off the table. A capo at fret 1 borrows the E fingering. Four semitones up, A six tone symmetric uses the same notes, meaning the grip transfers whole. Two flats in the signature.

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