Low E string: F, F#, A, Bb, C#, D at frets 1, 2, 5, 6, 9, 10
A string: A, Bb, C#, D, F, F#, A at frets 0, 1, 4, 5, 8, 9, 12
D string: D, F, F#, A, Bb, C#, D at frets 0, 3, 4, 7, 8, 11, 12
G string: A, Bb, C#, D, F, F# at frets 2, 3, 6, 7, 10, 11
B string: C#, D, F, F#, A, Bb at frets 2, 3, 6, 7, 10, 11
High E string: F, F#, A, Bb, C#, D at frets 1, 2, 5, 6, 9, 10
The augmented scale is a six note symmetrical scale alternating minor 3rd and half step: root, sharp 2nd, major 3rd, 5th, sharp 5th, major 7th. It interlocks two augmented triads a half step apart, repeating its pattern every major 3rd. Jazz players run it over maj7#5 chords; its symmetry means one fingering transposes around the neck in major-3rd jumps.
it consists of these notes and degrees:
I
#II
III
V
#V
VII
Same notes, different mode
Bb augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B♭ augmented on guitar
Roots gather low: the 6th fret on both E strings, the 1st on the A string, the 3rd on the G. A capo at the 1st fret turns this into A augmented, so low-position shapes you already play cover it. Open A stands a major seventh over the root, with open D a major third, which means neither belongs under a drone. Box work carries to fret 10.
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