Low E string: E#, F#, G#, A#, B#, C##, D# at frets 1, 2, 4, 6, 8, 10, 11
A string: A#, B#, C##, D#, E#, F#, G# at frets 1, 3, 5, 6, 8, 9, 11
D string: C##, D#, E#, F#, G#, A#, B#, C## at frets 0, 1, 3, 4, 6, 8, 10, 12
G string: G#, A#, B#, C##, D#, E#, F# at frets 1, 3, 5, 7, 8, 10, 11
B string: B#, C##, D#, E#, F#, G#, A# at frets 1, 3, 4, 6, 7, 9, 11
High E string: E#, F#, G#, A#, B#, C##, D# at frets 1, 2, 4, 6, 8, 10, 11
The lydian augmented scale, the third mode of the melodic minor scale, raises both the 4th and 5th of a major scale. It outlines a maj7#5 chord with a #11, about the brightest and least grounded color mainstream jazz harmony uses. Reach for it when a major 7th chord should shimmer instead of rest.
it consists of these notes and degrees:
I+
II
III
#iv°
#v°
vi
vii
Characteristic notes: C (#4) and D (#5), the raised fourth and fifth floating over a melodic minor base.
Same notes, different mode
F# lydian augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian augmented in all 12 keys, with chords and related scales
How to play F♯ lydian augmented on guitar
Just one open string belongs here, and the D rings as C##, an augmented fifth, so drones are effectively out. Seven sharps make the page harder than the fingering. Roots start at fret 2 on both E strings and repeat at 9 on the A and 4 on the D, which lets you cover the low neck from a single anchor. F#aug is the I+ chord. Clamp fret 2 for E lydian augmented, so you can rehearse where there are fewer accidentals.
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