Low E string: E, F, Gb, Ab, Bb, C, Db, E at frets 0, 1, 2, 4, 6, 8, 9, 12
A string: Bb, C, Db, E, F, Gb, Ab at frets 1, 3, 4, 7, 8, 9, 11
D string: E, F, Gb, Ab, Bb, C, Db at frets 2, 3, 4, 6, 8, 10, 11
G string: Ab, Bb, C, Db, E, F, Gb at frets 1, 3, 5, 6, 9, 10, 11
B string: C, Db, E, F, Gb, Ab, Bb at frets 1, 2, 5, 6, 7, 9, 11
High E string: E, F, Gb, Ab, Bb, C, Db, E at frets 0, 1, 2, 4, 6, 8, 9, 12
The balinese scale as catalogued here is a seven note set identical to the neapolitan minor scale: root, flat 2nd, flat 3rd, 4th, 5th, flat 6th, major 7th. The name nods to the pelog-flavored half steps around the root and 5th rather than to an actual gamelan tuning, which does not fit Western frets. Expect a dark minor sound with an unexpectedly bright leading tone.
it consists of these notes and degrees:
i
bII
bIII+
iv
V
bVI
VII
Same notes, different mode
F balinese uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play F balinese on guitar
With a capo at 1, E fingerings map straight onto this key, so a shape you know there does the work. Only the two E strings fall in the key open, both a major seventh above the root, which means open-string ideas stay limited to those two. Low E holds the lowest root at 1. Ab mixolydian augmented reuses the grip three semitones up, so one box serves both names.
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