Low E string: E, F##, G#, A#, B, C#, D#, E at frets 0, 3, 4, 6, 7, 9, 11, 12
A string: A#, B, C#, D#, E, F##, G# at frets 1, 2, 4, 6, 7, 10, 11
D string: D#, E, F##, G#, A#, B, C# at frets 1, 2, 5, 6, 8, 9, 11
G string: F##, G#, A#, B, C#, D#, E, F## at frets 0, 1, 3, 4, 6, 8, 9, 12
B string: B, C#, D#, E, F##, G#, A#, B at frets 0, 2, 4, 5, 8, 9, 11, 12
High E string: E, F##, G#, A#, B, C#, D#, E at frets 0, 3, 4, 6, 7, 9, 11, 12
The lydian #9 scale, the sixth mode of the harmonic minor scale, is lydian with its 2nd raised to a sharp 9: an augmented 2nd right at the start, then pure brightness. The strange leap into a serene lydian upper structure gives it a ceremonial, almost liturgical character. A rare color, best over maj7#11 chords that can absorb the #9.
it consists of these notes and degrees:
I
#ii°
iii
#iv°
V+
vi
VII
Characteristic note: G (#2), the raised second stacked on top of lydian brightness.
Same notes, different mode
E lydian #9 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play E lydian #9 on guitar
Fret 0 is a root on both E strings, and the open B adds a perfect fifth, so root and fifth ring untouched. Open G spells F##, the augmented second, which means the interval that names this scale is available as a drone. Baug supplies the V+. Fretted roots follow at 7 on the A, 5 on the B, 2 on the D and 9 on the G. Position one ends at fret 4, so expect an early move.
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