Low E string: E, F##, G#, A#, B, C#, D#, E at frets 0, 3, 4, 6, 7, 9, 11, 12
A string: A#, B, C#, D#, E, F##, G# at frets 1, 2, 4, 6, 7, 10, 11
D string: D#, E, F##, G#, A#, B, C# at frets 1, 2, 5, 6, 8, 9, 11
G string: F##, G#, A#, B, C#, D#, E, F## at frets 0, 1, 3, 4, 6, 8, 9, 12
B string: B, C#, D#, E, F##, G#, A#, B at frets 0, 2, 4, 5, 8, 9, 11, 12
High E string: E, F##, G#, A#, B, C#, D#, E at frets 0, 3, 4, 6, 7, 9, 11, 12
The major augmented scale, also called ionian #5, is a major scale with a raised 5th: the third mode of the harmonic minor scale. One alteration turns the tonic triad augmented while every other degree stays diatonic, so familiar melodies acquire a lifted, unresolved center. It is the cleanest scale choice over maj7#5 chords.
it consists of these notes and degrees:
I+
ii
III
IV
#v°
vi
vii°
Characteristic note: G (#5), the raised fifth that gives everything an augmented shimmer.
Same notes, different mode
B major augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
major augmented in all 12 keys, with chords and related scales
How to play B major augmented on guitar
Open B doubles the root and both E strings give a perfect fourth, so tonic and fourth are on tap without fretting. Open G spells F## here. Roots run from fret 7 on the low E to fret 2 on the A, which means one barre position covers both. Capo fret 2 and A major augmented fingering takes over, so a key signature of five sharps stops mattering.
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