Low E string: F#, G, A#, B, D, Eb at frets 2, 3, 6, 7, 10, 11
A string: A#, B, D, Eb, F#, G at frets 1, 2, 5, 6, 9, 10
D string: D, Eb, F#, G, A#, B, D at frets 0, 1, 4, 5, 8, 9, 12
G string: G, A#, B, D, Eb, F#, G at frets 0, 3, 4, 7, 8, 11, 12
B string: B, D, Eb, F#, G, A#, B at frets 0, 3, 4, 7, 8, 11, 12
High E string: F#, G, A#, B, D, Eb at frets 2, 3, 6, 7, 10, 11
The six tone symmetric scale alternates half step and minor 3rd: root, flat 2nd, major 3rd, 4th, sharp 5th, 6th. It is the same interlocking-augmented-triads idea as the augmented scale, started from the other side of the pattern. Its symmetry repeats every major 3rd, giving you instant sequences and a sound that sits between augmented and octatonic.
it consists of these notes and degrees:
I
bII
III
IV
#V
VI
Same notes, different mode
D six tone symmetric uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
six tone symmetric in all 12 keys, with chords and related scales
How to play D six tone symmetric on guitar
Open D is the root and open G the perfect fourth, so those two carry a drone while the fretting hand works above them. Open B adds the major sixth on the same pass. Roots repeat at fret 10 on both E strings, with fret 5 on the A string, which lets an a-shape barre cover the middle of the neck. Box one from fret 10 ends at fret 14. Gb and Bb six tone symmetric use the same grip, four and eight semitones up, meaning the shape travels.
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