Low E string: F#, F##, A#, B, C##, D# at frets 2, 3, 6, 7, 10, 11
A string: A#, B, C##, D#, F#, F## at frets 1, 2, 5, 6, 9, 10
D string: C##, D#, F#, F##, A#, B, C## at frets 0, 1, 4, 5, 8, 9, 12
G string: F##, A#, B, C##, D#, F#, F## at frets 0, 3, 4, 7, 8, 11, 12
B string: B, C##, D#, F#, F##, A#, B at frets 0, 3, 4, 7, 8, 11, 12
High E string: F#, F##, A#, B, C##, D# at frets 2, 3, 6, 7, 10, 11
The augmented scale is a six note symmetrical scale alternating minor 3rd and half step: root, sharp 2nd, major 3rd, 5th, sharp 5th, major 7th. It interlocks two augmented triads a half step apart, repeating its pattern every major 3rd. Jazz players run it over maj7#5 chords; its symmetry means one fingering transposes around the neck in major-3rd jumps.
it consists of these notes and degrees:
I
#II
III
V
#V
VII
Same notes, different mode
B augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B augmented on guitar
Open B is a root, so you can pedal an unfretted string against the whole shape. Root map: low E fret 7, A fret 2, D fret 9, G fret 4. Open D and G belong here too. Same fingering covers Eb augmented four semitones up and G augmented eight semitones up, which means one box handles three tonics without relearning.
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