Low E string: F, Gb, Ab, Bbb, Cb, Db, Eb at frets 1, 2, 4, 5, 7, 9, 11
A string: Bbb, Cb, Db, Eb, F, Gb, Ab, Bbb at frets 0, 2, 4, 6, 8, 9, 11, 12
D string: Eb, F, Gb, Ab, Bbb, Cb, Db at frets 1, 3, 4, 6, 7, 9, 11
G string: Ab, Bbb, Cb, Db, Eb, F, Gb at frets 1, 2, 4, 6, 8, 10, 11
B string: Cb, Db, Eb, F, Gb, Ab, Bbb, Cb at frets 0, 2, 4, 6, 7, 9, 10, 12
High E string: F, Gb, Ab, Bbb, Cb, Db, Eb at frets 1, 2, 4, 5, 7, 9, 11
The mixolydian b6 scale, the fifth mode of the melodic minor scale, is a dominant scale whose top half turns minor: natural 3rd, flat 6th, flat 7th. The b6 gives the plain mixolydian sound a bittersweet, almost cinematic shading. It is the natural choice over a V7 resolving to a minor chord, spelling the coming darkness in advance.
it consists of these notes and degrees:
I
ii°
iii°
iv
v
bVI+
bVII
Characteristic notes: A (b6) and B (b7), a dominant sound with a darkened sixth, halfway to minor.
Same notes, different mode
Db mixolydian b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
mixolydian b6 in all 12 keys, with chords and related scales
How to play D♭ mixolydian b6 on guitar
Capo the 1st fret and C fingerings deliver Db mixolydian b6, meaning six flats never reach the page. Open A and B are the only in-scale open strings, sounding Bbb and Cb, so they pass through a line instead of holding a pedal. Lowest root: fret 9, low E. Gbm handles the iv and Abm the v, which puts two minor shapes where a major and a dominant would normally sit.
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