Low E string: E#, F#, G#, A, B, C#, D# at frets 1, 2, 4, 5, 7, 9, 11
A string: A, B, C#, D#, E#, F#, G#, A at frets 0, 2, 4, 6, 8, 9, 11, 12
D string: D#, E#, F#, G#, A, B, C# at frets 1, 3, 4, 6, 7, 9, 11
G string: G#, A, B, C#, D#, E#, F# at frets 1, 2, 4, 6, 8, 10, 11
B string: B, C#, D#, E#, F#, G#, A, B at frets 0, 2, 4, 6, 7, 9, 10, 12
High E string: E#, F#, G#, A, B, C#, D# at frets 1, 2, 4, 5, 7, 9, 11
The lydian augmented scale, the third mode of the melodic minor scale, raises both the 4th and 5th of a major scale. It outlines a maj7#5 chord with a #11, about the brightest and least grounded color mainstream jazz harmony uses. Reach for it when a major 7th chord should shimmer instead of rest.
it consists of these notes and degrees:
I+
II
III
#iv°
#v°
vi
vii
Characteristic notes: D# (#4) and F (#5), the raised fourth and fifth floating over a melodic minor base.
Same notes, different mode
A lydian augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian augmented in all 12 keys, with chords and related scales
How to play A lydian augmented on guitar
Open A is the tonic and the open B its major second, so two adjacent open strings already give you a usable pedal pair. Only those two belong. Roots return at fret 5 on both E strings, 7 on the D and 2 on the G. Aaug sits on I+, which means the tonic you just droned is part of an augmented triad. Position one closes at fret 9, so the 5th-fret shape is where most of the work sits.
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