Low E string: F, G, Ab, Bbb, Cb, Db, Eb at frets 1, 3, 4, 5, 7, 9, 11
A string: Bbb, Cb, Db, Eb, F, G, Ab, Bbb at frets 0, 2, 4, 6, 8, 10, 11, 12
D string: Eb, F, G, Ab, Bbb, Cb, Db at frets 1, 3, 5, 6, 7, 9, 11
G string: G, Ab, Bbb, Cb, Db, Eb, F, G at frets 0, 1, 2, 4, 6, 8, 10, 12
B string: Cb, Db, Eb, F, G, Ab, Bbb, Cb at frets 0, 2, 4, 6, 8, 9, 10, 12
High E string: F, G, Ab, Bbb, Cb, Db, Eb at frets 1, 3, 4, 5, 7, 9, 11
The lydian dominant b6 scale, the fourth mode of the neapolitan major scale, is lydian dominant with its 6th lowered, the same collection catalogued as the lydian minor scale. Bright #4 below, dark b6 and b7 above: a dominant color that promises resolution to minor. It fits 7#11b13 chords and film-score cadences.
it consists of these notes and degrees:
I
II
iii°
#IV
v
bVI+
bVII+
Same notes, different mode
Db lydian dominant b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian dominant b6 in all 12 keys, with chords and related scales
How to play D♭ lydian dominant b6 on guitar
Three open strings sit inside Db lydian dominant b6, none of them root or fifth, so let them pass instead of ringing under a line. A capo at fret 1 reads it as C, which lets five flats collapse into shapes you already use. Nut-nearest root is fret 2 on the B string. Lowest root is fret 9 on the low E, and box one ends at fret 13.
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