Low E string: E#, F##, G#, A, B, C#, D# at frets 1, 3, 4, 5, 7, 9, 11
A string: A, B, C#, D#, E#, F##, G#, A at frets 0, 2, 4, 6, 8, 10, 11, 12
D string: D#, E#, F##, G#, A, B, C# at frets 1, 3, 5, 6, 7, 9, 11
G string: F##, G#, A, B, C#, D#, E#, F## at frets 0, 1, 2, 4, 6, 8, 10, 12
B string: B, C#, D#, E#, F##, G#, A, B at frets 0, 2, 4, 6, 8, 9, 10, 12
High E string: E#, F##, G#, A, B, C#, D# at frets 1, 3, 4, 5, 7, 9, 11
The leading whole tone scale, the second mode of the neapolitan major scale, is a whole tone scale with a major 7th bolted on. Five whole steps float exactly as expected, then the leading tone suddenly offers a way home. That built-in escape hatch makes it more usable than the pure whole tone scale in tonal contexts.
it consists of these notes and degrees:
I+
II+
III
#IV
#v°
#VI
vii
Same notes, different mode
A leading whole tone uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
leading whole tone in all 12 keys, with chords and related scales
How to play A leading whole tone on guitar
Tonic sits on the open A string, and open B adds a major second, so the pair rings as a built-in pedal. Open G gives F## as an augmented sixth, which means even the odd spelling is a free note. Roots run from fret 0 on the A string up to fret 10 on the B. Barre the E shape at fret 5.
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