Low E string: E, F#, G, A#, B, C, D, E at frets 0, 2, 3, 6, 7, 8, 10, 12
A string: A#, B, C, D, E, F#, G at frets 1, 2, 3, 5, 7, 9, 10
D string: D, E, F#, G, A#, B, C, D at frets 0, 2, 4, 5, 8, 9, 10, 12
G string: G, A#, B, C, D, E, F#, G at frets 0, 3, 4, 5, 7, 9, 11, 12
B string: B, C, D, E, F#, G, A#, B at frets 0, 1, 3, 5, 7, 8, 11, 12
High E string: E, F#, G, A#, B, C, D, E at frets 0, 2, 3, 6, 7, 8, 10, 12
The balinese scale as catalogued here is a seven note set identical to the neapolitan minor scale: root, flat 2nd, flat 3rd, 4th, 5th, flat 6th, major 7th. The name nods to the pelog-flavored half steps around the root and 5th rather than to an actual gamelan tuning, which does not fit Western frets. Expect a dark minor sound with an unexpectedly bright leading tone.
it consists of these notes and degrees:
i
bII
bIII+
iv
V
bVI
VII
Same notes, different mode
B balinese uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B balinese on guitar
Open B is the root and both E strings give the perfect fourth, so a line can fall back onto open strings at any point. Five of six strings ring in key, only the A string standing outside. Lowest root is fret 7 on the low E, with the box running out at 11, which means anything above that shifts position. Bm opens the chord set.
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