Low E string: Fb, Gb, Abb, Bb, Cb, Dbb, Ebb, Fb at frets 0, 2, 3, 6, 7, 8, 10, 12
A string: Bb, Cb, Dbb, Ebb, Fb, Gb, Abb at frets 1, 2, 3, 5, 7, 9, 10
D string: Ebb, Fb, Gb, Abb, Bb, Cb, Dbb, Ebb at frets 0, 2, 4, 5, 8, 9, 10, 12
G string: Abb, Bb, Cb, Dbb, Ebb, Fb, Gb, Abb at frets 0, 3, 4, 5, 7, 9, 11, 12
B string: Cb, Dbb, Ebb, Fb, Gb, Abb, Bb, Cb at frets 0, 1, 3, 5, 7, 8, 11, 12
High E string: Fb, Gb, Abb, Bb, Cb, Dbb, Ebb, Fb at frets 0, 2, 3, 6, 7, 8, 10, 12
The ultralocrian scale is the seventh mode of the harmonic minor scale: locrian with its 4th and 7th squeezed down further, leaving a diminished 7th chord spelled straight up the scale. Everything in it wants to collapse inward, which makes it a natural over diminished 7th chords and the darkest corners of metal and jazz vocabulary.
it consists of these notes and degrees:
I
bii
bbIII
bIV+
bv
bVI
bbVII
Characteristic note: G (bb7), the double-flat seventh that makes this the darkest mode of harmonic minor.
Same notes, different mode
Bb ultralocrian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B♭ ultralocrian on guitar
A-shape barre at fret 1 reaches the root immediately. With 7 flats and spellings like Dbb and Abb on the page, a fret 1 capo into A fingering saves real effort, which means reading stops being the obstacle. Five open strings still fall inside the scale, both E strings included as Fb. Chords run Cbm, Fbm, Ebbaug and onward with no functional dominant, so cadences take the scenic route.
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