G♯ minor six diminished Scale — Guitar Fretboard Visualization

Low E string: E, E#, F##, G#, A#, B, C#, D#, E at frets 0, 1, 3, 4, 6, 7, 9, 11, 12

A string: A#, B, C#, D#, E, E#, F##, G# at frets 1, 2, 4, 6, 7, 8, 10, 11

D string: D#, E, E#, F##, G#, A#, B, C# at frets 1, 2, 3, 5, 6, 8, 9, 11

G string: F##, G#, A#, B, C#, D#, E, E#, F## at frets 0, 1, 3, 4, 6, 8, 9, 10, 12

B string: B, C#, D#, E, E#, F##, G#, A#, B at frets 0, 2, 4, 5, 6, 8, 9, 11, 12

High E string: E, E#, F##, G#, A#, B, C#, D#, E at frets 0, 1, 3, 4, 6, 7, 9, 11, 12

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G# minor six diminished

The minor six diminished scale is Barry Harris's minor sixth diminished scale: a minor 6th chord and a diminished 7th chord interleaved, eight notes alternating chord and tension. Run it and every other note forms the m6 chord, the engine of his harmonic system. It turns a static minor chord into continuous internal motion.

it consists of these notes and degrees:

G♯

I

A♯

II

B

bIII

C♯

IV

D♯

V

E

bVI

E♯

VI

F𝄪

VII

tip
  • This is Barry Harris's minor sixth diminished scale: alternate the G#m6 chord tones with the diminished tones as you climb, chord-tone on the beat.
  • Harmonize every scale step as either the m6 chord or the diminished 7th; that alternation is instant movement over a static minor chord.
  • Use both 6ths deliberately: natural 6th (F) belongs to the m6 sound, flat 6th (E) to the diminished layer passing between V and VI.
  • Over a minor ii-V-i in G# minor, this single scale supplies voice-led chords for the whole bar of tonic minor.

How to play G♯ minor six diminished on guitar

Open G sounds F##, a leading tone under the root, so that string leans on the tonic instead of stating it. Both E strings give a minor sixth open, and open B the minor third. Fret 1 on the G string sits closest to the nut, which lets you start low and stay in position. Lowest root is fret 4, low E. Fret 8 begins the next shape, so the first one covers the lower neck.

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