Low E string: E, E#, F##, G#, A#, B, C#, D#, E at frets 0, 1, 3, 4, 6, 7, 9, 11, 12
A string: A#, B, C#, D#, E, E#, F##, G# at frets 1, 2, 4, 6, 7, 8, 10, 11
D string: D#, E, E#, F##, G#, A#, B, C# at frets 1, 2, 3, 5, 6, 8, 9, 11
G string: F##, G#, A#, B, C#, D#, E, E#, F## at frets 0, 1, 3, 4, 6, 8, 9, 10, 12
B string: B, C#, D#, E, E#, F##, G#, A#, B at frets 0, 2, 4, 5, 6, 8, 9, 11, 12
High E string: E, E#, F##, G#, A#, B, C#, D#, E at frets 0, 1, 3, 4, 6, 7, 9, 11, 12
The minor six diminished scale is Barry Harris's minor sixth diminished scale: a minor 6th chord and a diminished 7th chord interleaved, eight notes alternating chord and tension. Run it and every other note forms the m6 chord, the engine of his harmonic system. It turns a static minor chord into continuous internal motion.
it consists of these notes and degrees:
I
II
bIII
IV
V
bVI
VI
VII
How to play G♯ minor six diminished on guitar
Open G sounds F##, a leading tone under the root, so that string leans on the tonic instead of stating it. Both E strings give a minor sixth open, and open B the minor third. Fret 1 on the G string sits closest to the nut, which lets you start low and stay in position. Lowest root is fret 4, low E. Fret 8 begins the next shape, so the first one covers the lower neck.
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