Low E string: E, F#, G#, A#, B#, C##, D#, E at frets 0, 2, 4, 6, 8, 10, 11, 12
A string: A#, B#, C##, D#, E, F#, G# at frets 1, 3, 5, 6, 7, 9, 11
D string: C##, D#, E, F#, G#, A#, B#, C## at frets 0, 1, 2, 4, 6, 8, 10, 12
G string: G#, A#, B#, C##, D#, E, F# at frets 1, 3, 5, 7, 8, 9, 11
B string: B#, C##, D#, E, F#, G#, A# at frets 1, 3, 4, 5, 7, 9, 11
High E string: E, F#, G#, A#, B#, C##, D#, E at frets 0, 2, 4, 6, 8, 10, 11, 12
The lydian minor scale pairs a bright lydian bottom (natural 2nd and 3rd, raised 4th) with a minor top (flat 6th and 7th). The same collection appears as the fourth mode of the neapolitan major catalogue under the name lydian dominant b6. It is a bittersweet dominant color: shimmering below, sinking above, at home in film scoring.
it consists of these notes and degrees:
I
II
iii°
#IV
v
bVI+
bVII+
Same notes, different mode
G# lydian minor uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play G♯ lydian minor on guitar
Open D reads as C## here, the augmented fourth, so the tritone is available open even though no open string is a root. Both E strings land on the minor sixth. Capo fret 1 and the G fingerings land here, which puts a six-sharp key under something you already know. Fret 1 on the G string holds the nearest root, with fret 4 on both E strings above it.
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