Low E string: E, F, G, Ab, B, C, Db, E at frets 0, 1, 3, 4, 7, 8, 9, 12
A string: B, C, Db, E, F, G, Ab at frets 2, 3, 4, 7, 8, 10, 11
D string: E, F, G, Ab, B, C, Db at frets 2, 3, 5, 6, 9, 10, 11
G string: G, Ab, B, C, Db, E, F, G at frets 0, 1, 4, 5, 6, 9, 10, 12
B string: B, C, Db, E, F, G, Ab, B at frets 0, 1, 2, 5, 6, 8, 9, 12
High E string: E, F, G, Ab, B, C, Db, E at frets 0, 1, 3, 4, 7, 8, 9, 12
The oriental scale is the double harmonic major scale with its 5th flattened: root, flat 2nd, major 3rd, 4th, flat 5th, 6th, flat 7th. Losing the perfect 5th removes its anchor, tilting the byzantine sound toward the diminished and making the natural 6th glow strangely above the b5. A deliberately unstable exotic color.
it consists of these notes and degrees:
I
bII+
III
IV
bV
vi
bvii
Same notes, different mode
G oriental uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play G oriental on guitar
Open G is the tonic and open B its major third, with both E strings adding the sixth, so a G chord voicing can ring while the left hand moves. Lowest root sits at fret 3 on the low E string, which lets an E-shape barre sit right under those open strings. Fret 5 on the D string carries another root. From fret 7 the first box gives way to the next.
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