G messiaen's mode #3 Scale — Guitar Fretboard Visualization

Low E string: F, F#, G, A, Bb, B, C#, D, Eb at frets 1, 2, 3, 5, 6, 7, 9, 10, 11

A string: A, Bb, B, C#, D, Eb, F, F#, G, A at frets 0, 1, 2, 4, 5, 6, 8, 9, 10, 12

D string: D, Eb, F, F#, G, A, Bb, B, C#, D at frets 0, 1, 3, 4, 5, 7, 8, 9, 11, 12

G string: G, A, Bb, B, C#, D, Eb, F, F#, G at frets 0, 2, 3, 4, 6, 7, 8, 10, 11, 12

B string: B, C#, D, Eb, F, F#, G, A, Bb, B at frets 0, 2, 3, 4, 6, 7, 8, 10, 11, 12

High E string: F, F#, G, A, Bb, B, C#, D, Eb at frets 1, 2, 3, 5, 6, 7, 9, 10, 11

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G messiaen's mode #3

Messiaen's mode 3 is a nine note mode of limited transposition: whole step, half, half, repeated three times. Built from three augmented-triad axes filled in with half steps, it only has four distinct transpositions before repeating itself. Messiaen used its dense, stained-glass harmony throughout his organ and orchestral music; guitarists can mine it for symmetrical runs that never settle into a key.

it consists of these notes and degrees:

G

I

A

II

B♭

bIII

B

III

C♯

#IV

D

V

E♭

bVI

F

bVII

F♯

VII

tip
  • Learn G Messiaen mode 3 as the repeating cell whole-half-half, three times per octave; the cell, not the scale, is the practice unit.
  • It has only four distinct transpositions, so a lick moved up a major 3rd lands in the same collection: instant sequences.
  • Built on three augmented axes: arpeggiate the augmented triad on G and its neighbors, connecting them by half step for idiomatic lines.
  • Use it for dense, stained-glass chords: stack any four or five adjacent scale tones and the harmony is already Messiaen.

How to play G messiaen's mode #3 on guitar

Open G string is the root and open D the fifth, which lets you hold a two-string pedal while the fretting hand moves. Four open strings ring inside this key. Lowest root sits at fret 3, so box one runs to the shift at fret 7. Other roots wait at fret 5 on the D string, fret 8 on the B and fret 10 on the A.

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