G♭ augmented heptatonic Scale — Guitar Fretboard Visualization

Low E string: F, Gb, A, Bb, Cb, Db, D at frets 1, 2, 5, 6, 7, 9, 10

A string: A, Bb, Cb, Db, D, F, Gb, A at frets 0, 1, 2, 4, 5, 8, 9, 12

D string: D, F, Gb, A, Bb, Cb, Db, D at frets 0, 3, 4, 7, 8, 9, 11, 12

G string: A, Bb, Cb, Db, D, F, Gb at frets 2, 3, 4, 6, 7, 10, 11

B string: Cb, Db, D, F, Gb, A, Bb, Cb at frets 0, 2, 3, 6, 7, 10, 11, 12

High E string: F, Gb, A, Bb, Cb, Db, D at frets 1, 2, 5, 6, 7, 9, 10

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Gb augmented heptatonic

The augmented heptatonic scale takes the symmetrical augmented scale and adds a perfect 4th, giving seven notes: root, sharp 2nd, major 3rd, 4th, 5th, sharp 5th, major 7th. The added 4th gives the symmetrical augmented sound a stepping stone toward conventional resolution. It suits maj7#5 harmony where you want both the exotic color and a smooth melodic line.

it consists of these notes and degrees:

G♭

I

G♭maj
A

#II

B♭

iii

B♭m
C♭

iv

C♭m
D♭

V+

D♭aug
D

#V+

Daug
F

VII

Fmaj♭5
tip
  • Treat Gb augmented heptatonic as the augmented scale plus a perfect 4th: keep the shimmer, gain a stepping stone toward resolution.
  • Arpeggiate the two augmented triads inside it, then use the 4th (B) as the pivot when you want the line to land.
  • Over maj7#5 harmony it offers everything the six-note augmented scale does, plus a suspension (IV to III).
  • The half-step pairs (#II-III, V-#V, VII-root) invite slides; the 4th is your one honest passing tone between them.

How to play G♭ augmented heptatonic on guitar

Capo fret 2 and this becomes E shapes, so a key carrying 4 flats plays like one you already know. Open B string gives you Cb, a perfect fourth above the tonic, which lets it ring under everything below fret 7. Low E roots land at fret 2, the A string at 9. Dbaug and Daug carry the augmented pair here.

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