F♯ ultralocrian Scale — Guitar Fretboard Visualization

Low E string: F#, G, Ab, Bb, C, D, Eb at frets 2, 3, 4, 6, 8, 10, 11

A string: Bb, C, D, Eb, F#, G, Ab at frets 1, 3, 5, 6, 9, 10, 11

D string: D, Eb, F#, G, Ab, Bb, C, D at frets 0, 1, 4, 5, 6, 8, 10, 12

G string: G, Ab, Bb, C, D, Eb, F#, G at frets 0, 1, 3, 5, 7, 8, 11, 12

B string: C, D, Eb, F#, G, Ab, Bb at frets 1, 3, 4, 7, 8, 9, 11

High E string: F#, G, Ab, Bb, C, D, Eb at frets 2, 3, 4, 6, 8, 10, 11

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F# ultralocrian

The ultralocrian scale is the seventh mode of the harmonic minor scale: locrian with its 4th and 7th squeezed down further, leaving a diminished 7th chord spelled straight up the scale. Everything in it wants to collapse inward, which makes it a natural over diminished 7th chords and the darkest corners of metal and jazz vocabulary.

it consists of these notes and degrees:

F♯

I

A♭7no5/F#
G

bii

Gm
A♭

bbIII

A♭maj
B♭

bIV+

B♭aug
C

bv

Cm
D

bVI

Dmaj♭5
E♭

bbVII

E♭maj

Characteristic note: Eb (bb7), the double-flat seventh that makes this the darkest mode of harmonic minor.

Same notes, different mode

F# ultralocrian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

ultralocrian in all 12 keys, with chords and related scales

tip
  • Use F# ultralocrian over a diminished 7th chord: the double-flat 7th (Eb) is the chord's own diminished 7th, spelled into the scale.
  • It is harmonic minor's seventh mode: play F# a half step up in harmonic minor fingering and you are already here.
  • Everything wants to fall; resolve the whole line down a half step into the major or minor chord below.
  • For extreme metal color, pedal the open root against b2 (G), b4 (Bb) and b5 (C); there is no darker mode in the harmonic minor family.

How to play F♯ ultralocrian on guitar

Open D and open G are the only open strings inside the scale, sitting at the minor sixth and minor second above F#. Roots begin at fret 2 on both E strings, so barre work starts near the nut. A capo at fret 2 converts the key to E fingering, which means familiar open-E shapes swallow the accidentals whole. Chords include Gm, Cm, and Bbaug.

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