Low E string: F#, G, Ab, Bb, C, D, Eb at frets 2, 3, 4, 6, 8, 10, 11
A string: Bb, C, D, Eb, F#, G, Ab at frets 1, 3, 5, 6, 9, 10, 11
D string: D, Eb, F#, G, Ab, Bb, C, D at frets 0, 1, 4, 5, 6, 8, 10, 12
G string: G, Ab, Bb, C, D, Eb, F#, G at frets 0, 1, 3, 5, 7, 8, 11, 12
B string: C, D, Eb, F#, G, Ab, Bb at frets 1, 3, 4, 7, 8, 9, 11
High E string: F#, G, Ab, Bb, C, D, Eb at frets 2, 3, 4, 6, 8, 10, 11
The ultralocrian scale is the seventh mode of the harmonic minor scale: locrian with its 4th and 7th squeezed down further, leaving a diminished 7th chord spelled straight up the scale. Everything in it wants to collapse inward, which makes it a natural over diminished 7th chords and the darkest corners of metal and jazz vocabulary.
it consists of these notes and degrees:
I
bii
bbIII
bIV+
bv
bVI
bbVII
Characteristic note: Eb (bb7), the double-flat seventh that makes this the darkest mode of harmonic minor.
Same notes, different mode
F# ultralocrian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play F♯ ultralocrian on guitar
Open D and open G are the only open strings inside the scale, sitting at the minor sixth and minor second above F#. Roots begin at fret 2 on both E strings, so barre work starts near the nut. A capo at fret 2 converts the key to E fingering, which means familiar open-E shapes swallow the accidentals whole. Chords include Gm, Cm, and Bbaug.
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