Low E string: E, F#, A, B, C, C#, E at frets 0, 2, 5, 7, 8, 9, 12
A string: A, B, C, C#, E, F#, A at frets 0, 2, 3, 4, 7, 9, 12
D string: E, F#, A, B, C, C# at frets 2, 4, 7, 9, 10, 11
G string: A, B, C, C#, E, F# at frets 2, 4, 5, 6, 9, 11
B string: B, C, C#, E, F#, A, B at frets 0, 1, 2, 5, 7, 10, 12
High E string: E, F#, A, B, C, C#, E at frets 0, 2, 5, 7, 8, 9, 12
The minor blues scale is the minor pentatonic with a flat 5th wedged between the 4th and 5th. That blue note is pure tension: pass through it, bend it, or lean on it before resolving to the 5th or root. It is the default vocabulary of electric blues and hard rock, equally at home over a slow minor jam and a fast shuffle in the same key.
it consists of these notes and degrees:
I
bIII
IV
bV
V
bVII
Characteristic note: C (b5), the blue note squeezed between the fourth and the fifth.
Same notes, different mode
F# minor blues uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play F♯ minor blues on guitar
Four open strings land inside F# minor blues: both E strings on the minor seventh, A on the minor third, and B on the perfect fourth, so open hammer-ons feed straight into the box. Position one anchors at fret 2 and closes at fret 6. Barre players get roots at fret 2 with the E shape and fret 9 with the A shape, which means you can pick whichever grip suits the song's register. Capo 2 turns E shapes into F#.
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