Low E string: E, F#, G##, A#, B#, C#, D#, E at frets 0, 2, 5, 6, 8, 9, 11, 12
A string: G##, A#, B#, C#, D#, E, F#, G## at frets 0, 1, 3, 4, 6, 7, 9, 12
D string: D#, E, F#, G##, A#, B#, C# at frets 1, 2, 4, 7, 8, 10, 11
G string: G##, A#, B#, C#, D#, E, F# at frets 2, 3, 5, 6, 8, 9, 11
B string: B#, C#, D#, E, F#, G##, A# at frets 1, 2, 4, 5, 7, 10, 11
High E string: E, F#, G##, A#, B#, C#, D#, E at frets 0, 2, 5, 6, 8, 9, 11, 12
The hungarian major scale is a bright oddity: root, sharp 2nd, major 3rd, sharp 4th, 5th, 6th, flat 7th. The augmented 2nd opening (like harmonic minor upside down) collides with a lydian dominant top half. Brubeck and progressive writers have toyed with it; over a 13#11 chord it delivers exotic and functional at once.
it consists of these notes and degrees:
I
#ii°
iii°
#iv°
V+
vi
bvii
How to play F♯ hungarian major on guitar
Both E strings give the minor seventh and open A spells G##, the augmented second, so three open strings are in play while the other three are not. A capo at fret 2 turns this into E fingerings, which means six sharps stop being a reading job. Lowest root is fret 2 on the low E. D#m is the vi chord, and shape two starts from fret 6.
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