Low E string: E, F, Gb, G, Ab, Bb, B, C, Db, D, E at frets 0, 1, 2, 3, 4, 6, 7, 8, 9, 10, 12
A string: Bb, B, C, Db, D, E, F, Gb, G, Ab at frets 1, 2, 3, 4, 5, 7, 8, 9, 10, 11
D string: D, E, F, Gb, G, Ab, Bb, B, C, Db, D at frets 0, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12
G string: G, Ab, Bb, B, C, Db, D, E, F, Gb, G at frets 0, 1, 3, 4, 5, 6, 7, 9, 10, 11, 12
B string: B, C, Db, D, E, F, Gb, G, Ab, Bb, B at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
High E string: E, F, Gb, G, Ab, Bb, B, C, Db, D, E at frets 0, 1, 2, 3, 4, 6, 7, 8, 9, 10, 12
Messiaen's mode 7 is the largest mode of limited transposition: ten notes, leaving out just one whole-step pair per tritone half. It is nearly chromatic, with symmetry at the tritone and only six distinct transpositions. In practice it works as organized chromaticism: dense clusters and runs that still obey an internal pattern rather than free atonality.
it consists of these notes and degrees:
I
bII
II
bIII
IV
#IV
V
bVI
VI
VII
How to play F messiaen's mode #7 on guitar
Roots sit right at fret 1 on both E strings, so the E-shape barre lands about as low as a barre can go. A capo on fret 1 does the same job, turning the whole key into open E fingering, which means nut-position shapes carry over intact. Five opens fall in the key, both E strings sounding the major seventh against F. First box hands off at fret 5.
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