Low E string: E, F, G#, A, B, C, D, E at frets 0, 1, 4, 5, 7, 8, 10, 12
A string: A, B, C, D, E, F, G#, A at frets 0, 2, 3, 5, 7, 8, 11, 12
D string: D, E, F, G#, A, B, C, D at frets 0, 2, 3, 6, 7, 9, 10, 12
G string: G#, A, B, C, D, E, F at frets 1, 2, 4, 5, 7, 9, 10
B string: B, C, D, E, F, G#, A, B at frets 0, 1, 3, 5, 6, 9, 10, 12
High E string: E, F, G#, A, B, C, D, E at frets 0, 1, 4, 5, 7, 8, 10, 12
The lydian #9 scale, the sixth mode of the harmonic minor scale, is lydian with its 2nd raised to a sharp 9: an augmented 2nd right at the start, then pure brightness. The strange leap into a serene lydian upper structure gives it a ceremonial, almost liturgical character. A rare color, best over maj7#11 chords that can absorb the #9.
it consists of these notes and degrees:
I
#ii°
iii
#iv°
V+
vi
VII
Characteristic note: G# (#2), the raised second stacked on top of lydian brightness.
Same notes, different mode
F lydian #9 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play F lydian #9 on guitar
Five open strings stay inside the key, with the B string on the augmented fourth and the A string on the major third, so a drone under the line is easy to set up. Roots start at fret 1 on both E strings, which means the E-shape barre is right at the nut and the first box only reaches fret 5. Fret 3 on the D string is next. Caug is the V+ triad. Capo fret 1 and it rereads as E lydian #9, so the accidentals drop away.
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