F flat six pentatonic Scale — Guitar Fretboard Visualization

Low E string: F, G, A, C, Db at frets 1, 3, 5, 8, 9

A string: A, C, Db, F, G, A at frets 0, 3, 4, 8, 10, 12

D string: F, G, A, C, Db at frets 3, 5, 7, 10, 11

G string: G, A, C, Db, F, G at frets 0, 2, 5, 6, 10, 12

B string: C, Db, F, G, A at frets 1, 2, 6, 8, 10

High E string: F, G, A, C, Db at frets 1, 3, 5, 8, 9

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F flat six pentatonic

The flat six pentatonic is a major pentatonic with its 6th pushed down a half step: root, 2nd, major 3rd, 5th, flat 6th. The b6 leaning against the 5th injects harmonic-major darkness into an otherwise sunny scale, a striking effect over a plain major triad. It suits players hunting for major-key lines that avoid the obvious.

it consists of these notes and degrees:

F

I

G

II

A

III

C

V

D♭

bVI

Same notes, different mode

F flat six pentatonic uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

flat six pentatonic in all 12 keys, with chords and related scales

tip
  • Major pentatonic with its 6th pushed to b6 (Db): sunny lines that suddenly sigh; place the b6 (Db) to V fall at phrase ends.
  • Over a plain major triad on F, the b6 (Db) borrows harmonic-major darkness without leaving pentatonic fingering.
  • Keep the b6 (Db) off strong beats under a major chord... as a passing shadow it is striking, sustained it argues with the 6th-less chord.
  • Pair phrases: one from the normal major pentatonic, the answer from this scale; the single changed note becomes the story.

How to play F flat six pentatonic on guitar

Roots start low, fret 1 on both E strings and 3 on the D, meaning box one opens almost at the nut. Open A and open G belong here as the 3rd and 2nd, which means they colour a line without ever anchoring it. Higher up, roots sit at 6 on the B, 8 on the A and 10 on the G. Capo 1 gives E fingerings.

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