F augmented heptatonic Scale — Guitar Fretboard Visualization

Low E string: E, F, G#, A, Bb, C, C#, E at frets 0, 1, 4, 5, 6, 8, 9, 12

A string: A, Bb, C, C#, E, F, G#, A at frets 0, 1, 3, 4, 7, 8, 11, 12

D string: E, F, G#, A, Bb, C, C# at frets 2, 3, 6, 7, 8, 10, 11

G string: G#, A, Bb, C, C#, E, F at frets 1, 2, 3, 5, 6, 9, 10

B string: C, C#, E, F, G#, A, Bb at frets 1, 2, 5, 6, 9, 10, 11

High E string: E, F, G#, A, Bb, C, C#, E at frets 0, 1, 4, 5, 6, 8, 9, 12

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F augmented heptatonic

The augmented heptatonic scale takes the symmetrical augmented scale and adds a perfect 4th, giving seven notes: root, sharp 2nd, major 3rd, 4th, 5th, sharp 5th, major 7th. The added 4th gives the symmetrical augmented sound a stepping stone toward conventional resolution. It suits maj7#5 harmony where you want both the exotic color and a smooth melodic line.

it consists of these notes and degrees:

F

I

Fmaj
G♯

#II

A

iii

Am
B♭

iv

B♭m
C

V+

Caug
C♯

#V+

C♯aug
E

VII

Emaj♭5
tip
  • Treat F augmented heptatonic as the augmented scale plus a perfect 4th: keep the shimmer, gain a stepping stone toward resolution.
  • Arpeggiate the two augmented triads inside it, then use the 4th (Bb) as the pivot when you want the line to land.
  • Over maj7#5 harmony it offers everything the six-note augmented scale does, plus a suspension (IV to III).
  • The half-step pairs (#II-III, V-#V, VII-root) invite slides; the 4th is your one honest passing tone between them.

How to play F augmented heptatonic on guitar

Root sits at fret 1 on both E strings, so the E-shape barre at the first fret is the whole starting position. Capo fret 1 turns this into E fingerings, which means your open-position vocabulary transfers straight across. Open low E and A both belong to the key, a major seventh and a major third above the root. Caug and C#aug are the two augmented triads.

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