STRINGSCALES

E six tone symmetric Scale — Guitar Fretboard Visualization

Low E string: E, F, G#, A, B#, C#, E at frets 0, 1, 4, 5, 8, 9, 12

A string: A, B#, C#, E, F, G#, A at frets 0, 3, 4, 7, 8, 11, 12

D string: E, F, G#, A, B#, C# at frets 2, 3, 6, 7, 10, 11

G string: G#, A, B#, C#, E, F at frets 1, 2, 5, 6, 9, 10

B string: B#, C#, E, F, G#, A at frets 1, 2, 5, 6, 9, 10

High E string: E, F, G#, A, B#, C#, E at frets 0, 1, 4, 5, 8, 9, 12

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E six tone symmetric

The six tone symmetric scale alternates half step and minor 3rd: root, flat 2nd, major 3rd, 4th, sharp 5th, 6th. It is the same interlocking-augmented-triads idea as the augmented scale, started from the other side of the pattern. Its symmetry repeats every major 3rd, giving you instant sequences and a sound that sits between augmented and octatonic.

it consists of these notes and degrees:

E

I

F

bII

G♯

III

A

IV

B♯

#V

C♯

VI

Same notes, different mode

E six tone symmetric uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

F augmentedA augmentedC# augmented

six tone symmetric in all 12 keys, with chords and related scales

tip
  • Alternate half step and minor 3rd from E and the pattern closes at the octave; learn it as that two-interval cell, not as scattered notes.
  • It repeats every major 3rd: one fingering, transposed twice, covers all keys before recurring.
  • Arpeggiate the two augmented triads hiding inside it (root, III, #V-as-b6 and b2 (F), IV, VI) for instant symmetrical lines.
  • Slide the half-step pairs (root-b2, III-IV, #V-VI) as ornaments; between them the minor 3rd leaps keep lines angular.

How to play E six tone symmetric on guitar

Both open E strings are roots, and the open A supplies the perfect fourth, so the pedal is there before you fret a note. Box one starts at the nut and ends at fret 4, which means open position holds the whole first shape. Roots continue at fret 7 on the A string and fret 9 on the G string. Three sharps in the signature. Ab six tone symmetric sits four semitones above and shares every note, letting one shape serve both.

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