E prometheus neapolitan Scale — Guitar Fretboard Visualization

Low E string: E, F, G#, A#, C#, D, E at frets 0, 1, 4, 6, 9, 10, 12

A string: A#, C#, D, E, F, G# at frets 1, 4, 5, 7, 8, 11

D string: D, E, F, G#, A#, C#, D at frets 0, 2, 3, 6, 8, 11, 12

G string: G#, A#, C#, D, E, F at frets 1, 3, 6, 7, 9, 10

B string: C#, D, E, F, G#, A# at frets 2, 3, 5, 6, 9, 11

High E string: E, F, G#, A#, C#, D, E at frets 0, 1, 4, 6, 9, 10, 12

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E prometheus neapolitan

The prometheus neapolitan scale darkens the prometheus scale by lowering its 2nd: root, flat 2nd, major 3rd, raised 4th, 6th, flat 7th. The Neapolitan flat 2nd adds a Phrygian shadow to an already floating whole-tone-ish set, giving lines an exotic snap right at the start of the scale. A niche but memorable color over altered dominants.

it consists of these notes and degrees:

E

I

F

bII

G♯

III

A♯

#IV

C♯

VI

D

bVII

tip
  • Prometheus with a phrygian doorstep: open with b2 (F) against the root, then float through III, #IV (A#), VI, bVII (D).
  • Over an altered dominant vamp on E, the b2 (F) reads as a b9; the rest of the scale keeps the 13#11 shimmer.
  • Contrast the two 2nds across phrases: a prometheus line (natural II) answered by this scale's b2 (F) makes a two-scale hook.
  • With no 5th, keep the root sounding low; a bass pedal on E is what keeps this scale legible.

How to play E prometheus neapolitan on guitar

Open E rings as a root on the top and bottom strings, with the minor seventh on open D, so a pedal tone can hold while the hand works higher. Nut position doubles as position one, with fretted roots at the 2nd on the D string and the 5th on the B string. First shape ends at the 4th fret, which means shifts arrive quickly. A-shape barre waits at the 7th.

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