Low E string: E, F, F#, G, A, A#, B, C, C#, D#, E at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
A string: A, A#, B, C, C#, D#, E, F, F#, G, A at frets 0, 1, 2, 3, 4, 6, 7, 8, 9, 10, 12
D string: D#, E, F, F#, G, A, A#, B, C, C# at frets 1, 2, 3, 4, 5, 7, 8, 9, 10, 11
G string: G, A, A#, B, C, C#, D#, E, F, F#, G at frets 0, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12
B string: B, C, C#, D#, E, F, F#, G, A, A#, B at frets 0, 1, 2, 4, 5, 6, 7, 8, 10, 11, 12
High E string: E, F, F#, G, A, A#, B, C, C#, D#, E at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
Messiaen's mode 7 is the largest mode of limited transposition: ten notes, leaving out just one whole-step pair per tritone half. It is nearly chromatic, with symmetry at the tritone and only six distinct transpositions. In practice it works as organized chromaticism: dense clusters and runs that still obey an internal pattern rather than free atonality.
it consists of these notes and degrees:
I
bII
II
bIII
IV
#IV
V
bVI
VI
VII
How to play E messiaen's mode #7 on guitar
Both E strings sit on the root when played open, so drones on either end of the range cost nothing. Open A, G, and B ring inside the key as well, adding the perfect fourth, minor third, and perfect fifth above E. First box closes out at fret 4, which means opening-position work never strays far from the nut. More roots: D string, fret 2.
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