Low E string: E, F#, G#, A#, B, C, D, E at frets 0, 2, 4, 6, 7, 8, 10, 12
A string: A#, B, C, D, E, F#, G# at frets 1, 2, 3, 5, 7, 9, 11
D string: D, E, F#, G#, A#, B, C, D at frets 0, 2, 4, 6, 8, 9, 10, 12
G string: G#, A#, B, C, D, E, F# at frets 1, 3, 4, 5, 7, 9, 11
B string: B, C, D, E, F#, G#, A#, B at frets 0, 1, 3, 5, 7, 9, 11, 12
High E string: E, F#, G#, A#, B, C, D, E at frets 0, 2, 4, 6, 7, 8, 10, 12
The lydian dominant b6 scale, the fourth mode of the neapolitan major scale, is lydian dominant with its 6th lowered, the same collection catalogued as the lydian minor scale. Bright #4 below, dark b6 and b7 above: a dominant color that promises resolution to minor. It fits 7#11b13 chords and film-score cadences.
it consists of these notes and degrees:
I
II
iii°
#IV
v
bVI+
bVII+
Same notes, different mode
E lydian dominant b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian dominant b6 in all 12 keys, with chords and related scales
How to play E lydian dominant b6 on guitar
Both E strings are open roots and the open B gives the fifth, which means a tonic-and-fifth drone needs no fingers at all. Open D fills in the lowered seventh. Because the root is an open string, box one ends at fret 4, so the second shape starts almost at the nut. Other roots sit at fret 2 on the D string, fret 5 on the B string and fret 9 on the G string.
homeall scalesaboutfaqpricingmicrotonalterms & conditionsprivacy policycookie policy© 2026 StringScales. All rights reserved.