Low E string: E, F#, G#, A#, B#, C#, D#, E at frets 0, 2, 4, 6, 8, 9, 11, 12
A string: A#, B#, C#, D#, E, F#, G# at frets 1, 3, 4, 6, 7, 9, 11
D string: D#, E, F#, G#, A#, B#, C# at frets 1, 2, 4, 6, 8, 10, 11
G string: G#, A#, B#, C#, D#, E, F# at frets 1, 3, 5, 6, 8, 9, 11
B string: B#, C#, D#, E, F#, G#, A# at frets 1, 2, 4, 5, 7, 9, 11
High E string: E, F#, G#, A#, B#, C#, D#, E at frets 0, 2, 4, 6, 8, 9, 11, 12
The lydian augmented scale, the third mode of the melodic minor scale, raises both the 4th and 5th of a major scale. It outlines a maj7#5 chord with a #11, about the brightest and least grounded color mainstream jazz harmony uses. Reach for it when a major 7th chord should shimmer instead of rest.
it consists of these notes and degrees:
I+
II
III
#iv°
#v°
vi
vii
Characteristic notes: A# (#4) and C (#5), the raised fourth and fifth floating over a melodic minor base.
Same notes, different mode
E lydian augmented uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian augmented in all 12 keys, with chords and related scales
How to play E lydian augmented on guitar
Both E strings are open roots at fret 0, so the tonic is available without fretting anything, top and bottom. No other open string belongs. Eaug carries I+, so the augmented triad lands on a note the guitar hands you for free. Fretted roots follow at 7 on the A, 5 on the B, 2 on the D and 9 on the G. Position one ends at fret 4, so the shift comes quickly.
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