Low E string: Fb, Gbb, Abb, Bbb, Cb, Dbb, Eb, Fb at frets 0, 1, 3, 5, 7, 8, 11, 12
A string: Bbb, Cb, Dbb, Eb, Fb, Gbb, Abb, Bbb at frets 0, 2, 3, 6, 7, 8, 10, 12
D string: Eb, Fb, Gbb, Abb, Bbb, Cb, Dbb at frets 1, 2, 3, 5, 7, 9, 10
G string: Abb, Bbb, Cb, Dbb, Eb, Fb, Gbb, Abb at frets 0, 2, 4, 5, 8, 9, 10, 12
B string: Cb, Dbb, Eb, Fb, Gbb, Abb, Bbb, Cb at frets 0, 1, 4, 5, 6, 8, 10, 12
High E string: Fb, Gbb, Abb, Bbb, Cb, Dbb, Eb, Fb at frets 0, 1, 3, 5, 7, 8, 11, 12
The ultralocrian scale is the seventh mode of the harmonic minor scale: locrian with its 4th and 7th squeezed down further, leaving a diminished 7th chord spelled straight up the scale. Everything in it wants to collapse inward, which makes it a natural over diminished 7th chords and the darkest corners of metal and jazz vocabulary.
it consists of these notes and degrees:
I
bii
bbIII
bIV+
bv
bVI
bbVII
Characteristic note: C (bb7), the double-flat seventh that makes this the darkest mode of harmonic minor.
Same notes, different mode
Eb ultralocrian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play E♭ ultralocrian on guitar
Seven flats deep, this spelling leans on Gbb, Abb, and Dbb, so a capo at fret 1 into D fingering is the practical move. Nearest root without hardware sits at fret 1 on the D string. Same fingerboard pattern serves E neapolitan minor one semitone up, which means the theory-heavy key still recycles known shapes. First box stretches to fret 15.
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