E♭ minor six diminished Scale — Guitar Fretboard Visualization

Low E string: F, Gb, Ab, Bb, Cb, C, D, Eb at frets 1, 2, 4, 6, 7, 8, 10, 11

A string: Bb, Cb, C, D, Eb, F, Gb, Ab at frets 1, 2, 3, 5, 6, 8, 9, 11

D string: D, Eb, F, Gb, Ab, Bb, Cb, C, D at frets 0, 1, 3, 4, 6, 8, 9, 10, 12

G string: Ab, Bb, Cb, C, D, Eb, F, Gb at frets 1, 3, 4, 5, 7, 8, 10, 11

B string: Cb, C, D, Eb, F, Gb, Ab, Bb, Cb at frets 0, 1, 3, 4, 6, 7, 9, 11, 12

High E string: F, Gb, Ab, Bb, Cb, C, D, Eb at frets 1, 2, 4, 6, 7, 8, 10, 11

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Eb minor six diminished

The minor six diminished scale is Barry Harris's minor sixth diminished scale: a minor 6th chord and a diminished 7th chord interleaved, eight notes alternating chord and tension. Run it and every other note forms the m6 chord, the engine of his harmonic system. It turns a static minor chord into continuous internal motion.

it consists of these notes and degrees:

E♭

I

F

II

G♭

bIII

A♭

IV

B♭

V

C♭

bVI

C

VI

D

VII

tip
  • This is Barry Harris's minor sixth diminished scale: alternate the Ebm6 chord tones with the diminished tones as you climb, chord-tone on the beat.
  • Harmonize every scale step as either the m6 chord or the diminished 7th; that alternation is instant movement over a static minor chord.
  • Use both 6ths deliberately: natural 6th (C) belongs to the m6 sound, flat 6th (B) to the diminished layer passing between V and VI.
  • Over a minor ii-V-i in Eb minor, this single scale supplies voice-led chords for the whole bar of tonic minor.

How to play E♭ minor six diminished on guitar

Open D sits a major seventh over the tonic and the open B sounds Cb, so both ring against fretted lines without stating the root. Nut-side root is at 1 on the D string. Lowest root sits at 11 on the low E, which puts the E-shape barre high on the neck. Five flats in the signature. Fret 15 opens the next position, so everything under it stays in one shape.

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