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E♭ lydian dominant b6 Scale — Guitar Fretboard Visualization

Low E string: F, G, A, Bb, Cb, Db, Eb at frets 1, 3, 5, 6, 7, 9, 11

A string: A, Bb, Cb, Db, Eb, F, G, A at frets 0, 1, 2, 4, 6, 8, 10, 12

D string: Eb, F, G, A, Bb, Cb, Db at frets 1, 3, 5, 7, 8, 9, 11

G string: G, A, Bb, Cb, Db, Eb, F, G at frets 0, 2, 3, 4, 6, 8, 10, 12

B string: Cb, Db, Eb, F, G, A, Bb, Cb at frets 0, 2, 4, 6, 8, 10, 11, 12

High E string: F, G, A, Bb, Cb, Db, Eb at frets 1, 3, 5, 6, 7, 9, 11

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Eb lydian dominant b6

The lydian dominant b6 scale, the fourth mode of the neapolitan major scale, is lydian dominant with its 6th lowered, the same collection catalogued as the lydian minor scale. Bright #4 below, dark b6 and b7 above: a dominant color that promises resolution to minor. It fits 7#11b13 chords and film-score cadences.

it consists of these notes and degrees:

E♭

I

E♭maj
F

II

Fmaj♭5
G

iii°

Gdim
A

#IV

C♭7no5/A
B♭

v

B♭m
C♭

bVI+

C♭aug
D♭

bVII+

D♭aug

Same notes, different mode

Eb lydian dominant b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

F major locrianG half-diminished b4A altered dominant double b3Bb neapolitan majorCb leading whole toneDb lydian augmented dominant

lydian dominant b6 in all 12 keys, with chords and related scales

tip
  • Bright below, dark above: feature #IV (A) rising against b6 (B) falling, the scale's push-pull, over a dominant chord on Eb.
  • Use it on a V7#11 resolving to minor: the b6 (B) pre-hears the minor destination the same way mixolydian b6 (B) does.
  • The same collection is catalogued as lydian minor; whichever name you reach it by, III and bVII (Db) remain the guide tones.
  • As the fourth mode of neapolitan major, it shares all notes with the neapolitan major a 4th below Eb.

How to play E♭ lydian dominant b6 on guitar

Nearest the nut a root sits at fret 1 on the D string, so first position has an anchor even though the low E root waits at fret 11. Open A, G and B strings sound scale tones, none of them the root or fifth. Capo at fret 1 and the shapes read as D, meaning four flats stop being a problem. Box one ends at fret 15.

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