Low E string: Fb, G, A, Bb, Cb, D, Eb, Fb at frets 0, 3, 5, 6, 7, 10, 11, 12
A string: A, Bb, Cb, D, Eb, Fb, G, A at frets 0, 1, 2, 5, 6, 7, 10, 12
D string: D, Eb, Fb, G, A, Bb, Cb, D at frets 0, 1, 2, 5, 7, 8, 9, 12
G string: G, A, Bb, Cb, D, Eb, Fb, G at frets 0, 2, 3, 4, 7, 8, 9, 12
B string: Cb, D, Eb, Fb, G, A, Bb, Cb at frets 0, 3, 4, 5, 8, 10, 11, 12
High E string: Fb, G, A, Bb, Cb, D, Eb, Fb at frets 0, 3, 5, 6, 7, 10, 11, 12
The double harmonic lydian scale is the fourth mode of the double harmonic major scale: root, flat 2nd, major 3rd, raised 4th, 5th, flat 6th, major 7th. Two augmented 2nds and a #4 pack it with as much exotic tension as seven notes allow. It shines over drone-based music, where every chromatic neighbor of the root and 5th can resolve inward.
it consists of these notes and degrees:
I
bII
iii
#IV
V
bVI+
VII
How to play E♭ double harmonic lydian on guitar
Every open string belongs to this key, which means any open note you land on stays in bounds, even in the middle of a phrase. None of them is a root. D string carries the nut-end root at fret 1, and a capo there converts the whole key into D fingering, so shapes from that key take over. Cbaug fills the bVI slot.
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