STRINGSCALES

E♭ bebop Scale — Guitar Fretboard Visualization

Low E string: F, G, Ab, Bb, C, Db, D, Eb at frets 1, 3, 4, 6, 8, 9, 10, 11

A string: Bb, C, Db, D, Eb, F, G, Ab at frets 1, 3, 4, 5, 6, 8, 10, 11

D string: D, Eb, F, G, Ab, Bb, C, Db, D at frets 0, 1, 3, 5, 6, 8, 10, 11, 12

G string: G, Ab, Bb, C, Db, D, Eb, F, G at frets 0, 1, 3, 5, 6, 7, 8, 10, 12

B string: C, Db, D, Eb, F, G, Ab, Bb at frets 1, 2, 3, 4, 6, 8, 9, 11

High E string: F, G, Ab, Bb, C, Db, D, Eb at frets 1, 3, 4, 6, 8, 9, 10, 11

Pick a root note

Pick a scale

Eb bebop

The bebop scale (the dominant bebop scale) is mixolydian plus a chromatic passing tone between the flat 7th and the root, giving eight notes. The added note makes chord tones land on downbeats when you run eighth notes, which is the whole trick of bebop language. It is the default over dominant 7th chords in swing; start on a chord tone and let the passing tone do the work.

it consists of these notes and degrees:

E♭

I

F

II

G

III

A♭

IV

B♭

V

C

VI

D♭

bVII

D

VII

Same notes, different mode

Eb bebop uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

G bebop locrianAb ichikosuchoBb bebop minor

bebop in all 12 keys, with chords and related scales

tip
  • Run Eb bebop (the dominant bebop scale) in straight eighth notes starting on a chord tone; the added passing tone between bVII (Db) and the root keeps chord tones on downbeats.
  • Use it over the V7 chord of a ii-V-I; switch to plain mixolydian phrasing when the eighth-note line stops.
  • Start lines on the 3rd (G) or flat 7th (Db) of the chord, not just the root; the scale's downbeat logic still holds.
  • Displace: begin the same run an eighth note later and the passing tone lands differently, giving one fingering two rhythmic flavors.

How to play E♭ bebop on guitar

Fret 1 on the D string carries the root closest to the nut, so first-position work is on the table even though the lowest root sits at fret 11. Open D and open G both belong to the scale, giving you the major seventh and the major third without fretting. A-shape barre lands at fret 6 and the E-shape at fret 11, which means one shift covers both. Box one closes at fret 15.

homeall scalesaboutfaqpricingmicrotonalterms & conditionsprivacy policycookie policy© 2026 StringScales. All rights reserved.