Low E string: E, F##, G#, A, B, B#, D#, E at frets 0, 3, 4, 5, 7, 8, 11, 12
A string: A, B, B#, D#, E, F##, G#, A at frets 0, 2, 3, 6, 7, 10, 11, 12
D string: D#, E, F##, G#, A, B, B# at frets 1, 2, 5, 6, 7, 9, 10
G string: F##, G#, A, B, B#, D#, E, F## at frets 0, 1, 2, 4, 5, 8, 9, 12
B string: B, B#, D#, E, F##, G#, A, B at frets 0, 1, 4, 5, 8, 9, 10, 12
High E string: E, F##, G#, A, B, B#, D#, E at frets 0, 3, 4, 5, 7, 8, 11, 12
The augmented heptatonic scale takes the symmetrical augmented scale and adds a perfect 4th, giving seven notes: root, sharp 2nd, major 3rd, 4th, 5th, sharp 5th, major 7th. The added 4th gives the symmetrical augmented sound a stepping stone toward conventional resolution. It suits maj7#5 harmony where you want both the exotic color and a smooth melodic line.
it consists of these notes and degrees:
I
#II
iii
iv
V+
#V+
VII
How to play E augmented heptatonic on guitar
Both E strings ring the root open, and A, G and B are in the scale too, so five of the six strings can drone before you fret anything. First box gives out at fret 4, which means position work starts early and the open shapes carry only so far. Roots then sit at fret 7 on the A. Am is the iv and Baug the V+, so the chord that should resolve is the one that cannot.
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