STRINGSCALES

D oriental Scale — Guitar Fretboard Visualization

Low E string: F#, G, Ab, B, C, D, Eb at frets 2, 3, 4, 7, 8, 10, 11

A string: B, C, D, Eb, F#, G, Ab at frets 2, 3, 5, 6, 9, 10, 11

D string: D, Eb, F#, G, Ab, B, C, D at frets 0, 1, 4, 5, 6, 9, 10, 12

G string: G, Ab, B, C, D, Eb, F#, G at frets 0, 1, 4, 5, 7, 8, 11, 12

B string: B, C, D, Eb, F#, G, Ab, B at frets 0, 1, 3, 4, 7, 8, 9, 12

High E string: F#, G, Ab, B, C, D, Eb at frets 2, 3, 4, 7, 8, 10, 11

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D oriental

The oriental scale is the double harmonic major scale with its 5th flattened: root, flat 2nd, major 3rd, 4th, flat 5th, 6th, flat 7th. Losing the perfect 5th removes its anchor, tilting the byzantine sound toward the diminished and making the natural 6th glow strangely above the b5. A deliberately unstable exotic color.

it consists of these notes and degrees:

D

I

Dmaj♭5
E♭

bII+

E♭aug
F♯

III

A♭7no5/F#
G

IV

Gmaj
A♭

bV

A♭maj
B

vi

Bm
C

bvii

Cm

Same notes, different mode

D oriental uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

G double harmonic majorC hungarian minor

oriental in all 12 keys, with chords and related scales

tip
  • Play the double harmonic sound but let the flat 5th (Ab) replace the anchor: nothing rests, so write phrases that end on the major 3rd (F#).
  • The natural 6th (B) above the b5 (Ab) is the scale's strangest glow; leap b5 (Ab) up to VI and back for its signature ornament.
  • Use it over a dominant 7th with b9 and b5 (Ab) available; III and bVII (C) are the guide tones holding it together.
  • Keep a drone on D beneath everything; without the perfect 5th, the root drone is what keeps the ear oriented.

How to play D oriental on guitar

Open D rings as the tonic itself, with open G a fourth above it and open B a sixth, so a fretted line can float over three ringing strings with no thumb work at all. Lowest root sits at fret 10 on the low E string, while fret 3 on the B string repeats it an octave higher. Fret 5 anchors an A-shape barre. Work from fret 14 repeats what the first box already taught, which means the fingering carries straight up the neck.

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