D♭ pelog Scale — Guitar Fretboard Visualization

Low E string: Fb, Ab, Bbb, Db, Ebb, Fb at frets 0, 4, 5, 9, 10, 12

A string: Bbb, Db, Ebb, Fb, Ab, Bbb at frets 0, 4, 5, 7, 11, 12

D string: Ebb, Fb, Ab, Bbb, Db, Ebb at frets 0, 2, 6, 7, 11, 12

G string: Ab, Bbb, Db, Ebb, Fb at frets 1, 2, 6, 7, 9

B string: Db, Ebb, Fb, Ab, Bbb at frets 2, 3, 5, 9, 10

High E string: Fb, Ab, Bbb, Db, Ebb, Fb at frets 0, 4, 5, 9, 10, 12

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Db pelog

The pelog scale is a five note approximation, in Western tuning, of the Indonesian pelog tuning system used in gamelan music: root, flat 2nd, flat 3rd, 5th, flat 6th. Real pelog is a seven tone tuning that does not map onto equal temperament, so treat this as a color palette rather than a transcription. Its stacked half steps around the root and 5th produce the shimmering, gong-like character.

it consists of these notes and degrees:

D♭

I

E𝄫

bII

F♭

bIII

A♭

V

B𝄫

bVI

Same notes, different mode

Db pelog uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

pelog in all 12 keys, with chords and related scales

tip
  • Five notes approximating gamelan pelog in Western frets: root, b2 (D), b3 (E), V, b6 (A); keep an ostinato, not a solo, mindset.
  • Interlock two patterns an octave apart, one busy, one sparse, imitating kotekan; the scale rewards texture over melody.
  • Both half steps (b2 (D) to root, b6 (A) to V) resolve downward; ending on Db or the 5th always sounds right.
  • Real pelog tuning is not equal-tempered: bend b2 (D) and b6 (A) slightly to taste and the flavor gets closer.

How to play D♭ pelog on guitar

Four open strings fall in this key, low E, A, D and high E, though none of them sits at an interval that will hold as a drone, so treat them as passing tones. Clamp a capo at fret 1 and the whole thing maps onto C shapes, which lets you reuse fingerings you already own. Lowest root sits at fret 9 on the low E, and a second root waits at fret 2 on the B string. Box one stops working at fret 13.

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