Low E string: F, Gb, Ab, C, Db at frets 1, 2, 4, 8, 9
A string: C, Db, F, Gb, Ab at frets 3, 4, 8, 9, 11
D string: F, Gb, Ab, C, Db at frets 3, 4, 6, 10, 11
G string: Ab, C, Db, F, Gb at frets 1, 5, 6, 10, 11
B string: C, Db, F, Gb, Ab at frets 1, 2, 6, 7, 9
High E string: F, Gb, Ab, C, Db at frets 1, 2, 4, 8, 9
The ionian pentatonic keeps the root, major 3rd, 4th, 5th and major 7th of the major scale. Unlike the common major pentatonic it keeps both half-step tendencies (4 and 7), so it sounds like a compressed major scale rather than an open one. It outlines a major 7th chord with one passing tone, making it a compact source of maj7 arpeggio lines.
it consists of these notes and degrees:
I
III
IV
V
VII
Same notes, different mode
Db ionian pentatonic uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
ionian pentatonic in all 12 keys, with chords and related scales
How to play D♭ ionian pentatonic on guitar
No open string sounds a scale tone in Db ionian pentatonic, so every voicing is fretted. Place a capo at fret 1 and the C fingerings take over, which means the natural-key shapes transfer wholesale. Both E strings carry the root at fret 9 and the A string at fret 4, so barre grips at 9 and 4 offer two starting registers. Three flats sit in the signature. F pelog uses the identical fingering, 4 semitones above.
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