C whole tone Scale — Guitar Fretboard Visualization

Low E string: E, F#, G#, A#, C, D, E at frets 0, 2, 4, 6, 8, 10, 12

A string: A#, C, D, E, F#, G# at frets 1, 3, 5, 7, 9, 11

D string: D, E, F#, G#, A#, C, D at frets 0, 2, 4, 6, 8, 10, 12

G string: G#, A#, C, D, E, F# at frets 1, 3, 5, 7, 9, 11

B string: C, D, E, F#, G#, A# at frets 1, 3, 5, 7, 9, 11

High E string: E, F#, G#, A#, C, D, E at frets 0, 2, 4, 6, 8, 10, 12

Pick a root note

Pick a scale

C whole tone

The whole tone scale moves in nothing but whole steps, six notes with no half step anywhere and therefore no leading tone and no home. Debussy made its weightless blur famous, and it remains shorthand for dream sequences and augmented tension. There are only two whole tone collections in existence, so every fingering repeats every whole step up the neck. Use it over 7#5 chords, where every note lands.

it consists of these notes and degrees:

C

I

D

II

E

III

F♯

#IV

G♯

#V

A♯

#VI

tip
  • Everything moves in whole steps from C up, so use symmetrical fingerings: two notes per string, shift, repeat; one shape covers the whole neck.
  • Play it over an augmented triad or 7#5 chord in C; every scale tone is consonant with that harmony.
  • There are only two whole tone scales in existence; move any lick up two frets and it repeats exactly.
  • Use it in short bursts as a dream-sequence transition, then resolve to a diatonic scale; sustained whole tone loses its magic fast.

How to play C whole tone on guitar

Open D plus both E strings sit inside C whole tone, so sustained opens can anchor lines while every fretted shape slides. Fret 8 holds root C on both E strings. Shape repetition every 2 frets means the fret 8 box and the fret 10 box are the same picture, which lets position shifts happen mid-phrase without new fingerings. A-shape barre players anchor at fret 3, and the formal shift point is fret 12.

homeall scalesaboutfaqpricingmicrotonalterms & conditionsprivacy policycookie policy© 2026 StringScales. All rights reserved.