Low E string: E, F#, G#, A#, C, D, E at frets 0, 2, 4, 6, 8, 10, 12
A string: A#, C, D, E, F#, G# at frets 1, 3, 5, 7, 9, 11
D string: D, E, F#, G#, A#, C, D at frets 0, 2, 4, 6, 8, 10, 12
G string: G#, A#, C, D, E, F# at frets 1, 3, 5, 7, 9, 11
B string: C, D, E, F#, G#, A# at frets 1, 3, 5, 7, 9, 11
High E string: E, F#, G#, A#, C, D, E at frets 0, 2, 4, 6, 8, 10, 12
The whole tone scale moves in nothing but whole steps, six notes with no half step anywhere and therefore no leading tone and no home. Debussy made its weightless blur famous, and it remains shorthand for dream sequences and augmented tension. There are only two whole tone collections in existence, so every fingering repeats every whole step up the neck. Use it over 7#5 chords, where every note lands.
it consists of these notes and degrees:
I
II
III
#IV
#V
#VI
How to play C whole tone on guitar
Open D plus both E strings sit inside C whole tone, so sustained opens can anchor lines while every fretted shape slides. Fret 8 holds root C on both E strings. Shape repetition every 2 frets means the fret 8 box and the fret 10 box are the same picture, which lets position shifts happen mid-phrase without new fingerings. A-shape barre players anchor at fret 3, and the formal shift point is fret 12.
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