STRINGSCALES

C melodic minor Scale — Guitar Fretboard Visualization

Low E string: F, G, A, B, C, D, Eb at frets 1, 3, 5, 7, 8, 10, 11

A string: A, B, C, D, Eb, F, G, A at frets 0, 2, 3, 5, 6, 8, 10, 12

D string: D, Eb, F, G, A, B, C, D at frets 0, 1, 3, 5, 7, 9, 10, 12

G string: G, A, B, C, D, Eb, F, G at frets 0, 2, 4, 5, 7, 8, 10, 12

B string: B, C, D, Eb, F, G, A, B at frets 0, 1, 3, 4, 6, 8, 10, 12

High E string: F, G, A, B, C, D, Eb at frets 1, 3, 5, 7, 8, 10, 11

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C melodic minor

The melodic minor scale is natural minor with the 6th and 7th raised, smoothing the climb to the root while keeping the minor 3rd. Classically it descends as natural minor, but jazz treats it as one scale in both directions and builds a whole system on its modes: lydian dominant, altered and locrian #2 among them. It is the sound of a minor chord with a major 7th on top.

it consists of these notes and degrees:

C

i

Cm
D

ii

Dm
E♭

bIII+

E♭aug
F

IV

Fmaj
G

V

Gmaj
A

vi°

Adim
B

vii°

Bdim

Characteristic notes: A (natural 6) and B (natural 7), the raised sixth and seventh that smooth out the climb to the root.

Same notes, different mode

C melodic minor uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.

D dorian b2Eb lydian augmentedF lydian dominantG mixolydian b6A locrian #2B altered

melodic minor in all 12 keys, with chords and related scales

tip
  • Hear it as C minor with a raised 6th (A) and 7th (B): play natural minor, then melodic minor, and listen to the smoother climb home.
  • Over a minor-major 7th or m6 chord in C, this is the parent sound; arpeggiate root, bIII (Eb), V and VII to spell it out.
  • Jazz treats it as one scale up and down; classical practice descends as natural minor. Try both and keep the one the line asks for.
  • Its modes are a toolkit: the same C melodic minor fingering serves lydian dominant and altered lines in related keys, so one shape pays three rents.

How to play C melodic minor on guitar

Open A, D, G and B all belong here, which lets a fretted line ride over a ringing open string. Lowest root sits at fret 8 on the low E string, and the nut-side root waits at fret 1 on the B. Box one runs out at fret 12. Dm as the ii chord gives a comping target under the tonic, so the A-shape barre at 3 becomes the pivot.

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