Low E string: E, F, Gb, G, Ab, A, Bb, B, C, Db, D, Eb, E at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
A string: A, Bb, B, C, Db, D, Eb, E, F, Gb, G, Ab, A at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
D string: D, Eb, E, F, Gb, G, Ab, A, Bb, B, C, Db, D at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
G string: G, Ab, A, Bb, B, C, Db, D, Eb, E, F, Gb, G at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
B string: B, C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
High E string: E, F, Gb, G, Ab, A, Bb, B, C, Db, D, Eb, E at frets 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
The chromatic scale contains all twelve semitones, so strictly speaking it is the entire tuning system rather than a key. Its value on the fretboard is mechanical and connective: one-finger-per-fret technique practice, and the source of the passing tones every other scale borrows for smooth voice leading. Every scale on this site is some selection from these twelve notes.
it consists of these notes and degrees:
I
bII
II
bIII
III
IV
bV
V
bVI
VI
bVII
VII
How to play C chromatic on guitar
Fret 1 on the B string is the lowest-numbered root here, with the D string at fret 10 and the G string at fret 5 sounding that same pitch. Open G supplies the fifth, so you can pedal it under fretted lines anywhere on the neck. Fret 8 carries roots on both E strings. Every fingering here transposes: the same shape moved up 1 fret becomes Db chromatic, up 2 becomes D, which means one box serves all twelve tonics.
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