Low E string: F, G, Ab, B, C, Db, Eb at frets 1, 3, 4, 7, 8, 9, 11
A string: B, C, Db, Eb, F, G, Ab at frets 2, 3, 4, 6, 8, 10, 11
D string: Eb, F, G, Ab, B, C, Db at frets 1, 3, 5, 6, 9, 10, 11
G string: G, Ab, B, C, Db, Eb, F, G at frets 0, 1, 4, 5, 6, 8, 10, 12
B string: B, C, Db, Eb, F, G, Ab, B at frets 0, 1, 2, 4, 6, 8, 9, 12
High E string: F, G, Ab, B, C, Db, Eb at frets 1, 3, 4, 7, 8, 9, 11
The balinese scale as catalogued here is a seven note set identical to the neapolitan minor scale: root, flat 2nd, flat 3rd, 4th, 5th, flat 6th, major 7th. The name nods to the pelog-flavored half steps around the root and 5th rather than to an actual gamelan tuning, which does not fit Western frets. Expect a dark minor sound with an unexpectedly bright leading tone.
it consists of these notes and degrees:
i
bII
bIII+
iv
V
bVI
VII
Same notes, different mode
C balinese uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play C balinese on guitar
Open G and B both fall in the key, at the perfect fifth and major seventh, so that pair can ring under everything you fret above it. Nearest the nut, a root waits at fret 1 on the B string. Lowest root is fret 8 on the low E, where the E-shape anchor also sits, which lets the first box form without a shift. C neapolitan minor takes the same fingering.
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