Low E string: Fb, Gb, Ab, Bb, C, Db, Ebb, Fb at frets 0, 2, 4, 6, 8, 9, 10, 12
A string: Bb, C, Db, Ebb, Fb, Gb, Ab at frets 1, 3, 4, 5, 7, 9, 11
D string: Ebb, Fb, Gb, Ab, Bb, C, Db, Ebb at frets 0, 2, 4, 6, 8, 10, 11, 12
G string: Ab, Bb, C, Db, Ebb, Fb, Gb at frets 1, 3, 5, 6, 7, 9, 11
B string: C, Db, Ebb, Fb, Gb, Ab, Bb at frets 1, 2, 3, 5, 7, 9, 11
High E string: Fb, Gb, Ab, Bb, C, Db, Ebb, Fb at frets 0, 2, 4, 6, 8, 9, 10, 12
The altered dominant double b3 scale, the seventh mode of the neapolitan major scale, is the altered scale pushed one notch further: the sharp 9 is flattened again to a double-flat 3rd. Every degree from 2 to 7 is lowered, some twice. It is about as much tension as seven notes can carry, for altered dominants at the outer edge of jazz harmony.
it consists of these notes and degrees:
I
bii
bbIII+
bIV+
bV
bVI
bvii°
Same notes, different mode
C altered dominant double b3 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
altered dominant double b3 in all 12 keys, with chords and related scales
How to play C altered dominant double b3 on guitar
Scale tones ring on open D and on the E pair, a diminished fourth above C, so a drone is there before your hand moves. Root on the B string sits at fret 1, which lets phrases start almost at the nut. Fret 8 anchors the lowest root and the E-shape barre alike. Bb half-diminished b4 takes the identical fingering, so two names share one shape. Position one closes at fret 12.
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