Low E string: E, F##, G#, B, C, D#, E at frets 0, 3, 4, 7, 8, 11, 12
A string: B, C, D#, E, F##, G# at frets 2, 3, 6, 7, 10, 11
D string: D#, E, F##, G#, B, C at frets 1, 2, 5, 6, 9, 10
G string: F##, G#, B, C, D#, E, F## at frets 0, 1, 4, 5, 8, 9, 12
B string: B, C, D#, E, F##, G#, B at frets 0, 1, 4, 5, 8, 9, 12
High E string: E, F##, G#, B, C, D#, E at frets 0, 3, 4, 7, 8, 11, 12
The six tone symmetric scale alternates half step and minor 3rd: root, flat 2nd, major 3rd, 4th, sharp 5th, 6th. It is the same interlocking-augmented-triads idea as the augmented scale, started from the other side of the pattern. Its symmetry repeats every major 3rd, giving you instant sequences and a sound that sits between augmented and octatonic.
it consists of these notes and degrees:
I
bII
III
IV
#V
VI
Same notes, different mode
B six tone symmetric uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
six tone symmetric in all 12 keys, with chords and related scales
How to play B six tone symmetric on guitar
Open B is the root and both open E strings give the perfect fourth, so a pedal is available on three strings at once. Open G adds the augmented fifth, which means four of the six open strings are usable. Lowest root is fret 7 on the low E string, and box one there ends at fret 11. An a-shape barre lands at fret 2. Eb six tone symmetric, four semitones higher, holds the same notes, so one fingering serves both.
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